Send us YOUR Questions!

[Stoo]

Most, if not all questions will be asked at some point, whether they be on the forum or on the show!

Heck doesn't really need to be a question, post us links to News, Trailers, reviews and what ever you want us to talk about!

Give us a reason to record this show!

Post, post, post!

[Lantern Jaw]

I have a question... have any of you ever tried learning martial arts or even just practised a few kicks and punches (or flips!) as a DIRECT RESULT of watching eastern action movies?

Thanks.

[Lantern Jaw]

Question: Are there any shit eastern films that you think are really good, if so what?

Example, mine would have to be Island of Fire. Sue me! Though "really good" is probably a bit of a stretch. (I'm aware that Ken's answer to this could stretch over two or three episodes at least, but what the hell )

[chen lung]

You stole my question Lantern ! There's films people detest, but I love! And the other way around .

Right, here's mine: What's the secret for coping during the recording of a podcast?

[Stoo]

[Knetan]

hey,

constant masturbation.

What? Only me?

[chen lung]

[Drunken Master]

I have a podcast show related question too. When you are recording what actually decides which section or discussion will become a deleted conversation? I'm curious because often the deleted conversations will include some interesting facts or moments of humour.

[Stoo]

[chen lung]

Until the 90's, Hong Kong films shot sync-sound were unheard of (one of the first being 'Police Story 3'). However, can you name actors that have always, or usually dubbed themselves? Examples include Eric Tsang, Kwan Tak Hing and Stephen Chow.

[chen lung]

Can you tell us one or two films currently available censored that you wish to see in an uncut state?

[chen lung]

Today's action (Kung Fu/modern, etc) films are probably not as heralded and lead a different effect in comparison to those made from beyond 10 years ago (i.e. from Shaws/Golden Harvest to around Once Upon A Time In China and America). Acknowledging the fact that each era has obviously encountered changes in production (e.g. traditional and under-cranking), what would you advice to filmmakers if they were trying to replicate such a film?